Auric Goldstone Glow Lust Radiant Luminizer ($45.00 for 1.13 oz.) is a medium brown with warmer, golden undertones and a natural sheen. The finish had fine pearl throughout that yielded a luminous glow on my skin but never looked shimmery–it was very “skin-like.” When mixed in with foundation, it still amped up the glowiness of my foundation finish.
It had buildable pigmentation that ranged from sheerer to medium, depending on how much was applied and how it was done; when I applied a small amount as a standalone product, it yielded more semi-sheer to medium coverage that was easy to diffuse if desired. It had a fluid consistency that seemed a little thicker and creamier compared to most liquid highlighters, and it spread well over bare skin as well as over base products. This shade wore nicely for nine hours before showing signs of fading when worn alone. I didn’t notice a different in longevity when mixed in with foundation.
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
- Becca Topaz (P, $41.00) is less shimmery, warmer (90% similar).
- Auric Citrine (P, $45.00) is lighter, cooler (90% similar).
- Giorgio Armani No. 03 (P, $62.00) is less shimmery, darker, warmer (85% similar).
- Giorgio Armani No. 14 (P, $62.00) is more shimmery, darker, brighter (85% similar).
- Charlotte Tilbury Tan/Dark (6.5) (P, $44.00) is less shimmery, darker, cooler (80% similar).
- Kevyn Aucoin Sunlight (P, $52.00) is more shimmery, darker, warmer (80% similar).
- Auric Axinite (P, $45.00) is less shimmery, darker, cooler (80% similar).
- Charlotte Tilbury Dark (7) (P, $44.00) (80% similar).
- Auric Tourmaline (P, $45.00) (80% similar).
$45.00/1.13 oz. – $39.82 Per Ounce
The formula is supposed to have buildable coverage so it can be used “alone” or “blended” with skincare/foundation or “used as a highlighter on top of foundation.”
The consistency was creamy, slightly thicker than a lot of liquid luminizers (but not heavy or overly thick), and it seemed more pigmented in its base compared to other liquid luminizers as well.
It had very fine pearl throughout that added luminosity and a subtle-to-light glow to skin with light dewiness. The shimmer was nearly undetectable when applied and diffused as a standalone product but still delivered a noticeable uptick in glowiness to my skin whether used alone or mixed in.
It was easy to mix in with moisturizer, primer, and foundation, and it also worked well patted on top of the high points of the face, whether my skin was bare or it was on top of foundation. I didn’t have issues with it lifting up my base products–set and unset–when applied on top. It dried down for the most part, retained light dewiness to the eye, and wasn’t tacky.
As a standalone highlighter, it wore well for nine hours before fading a bit, and I didn’t notice any impact to longevity when combined with base products.
It felt more like a cross between Charlotte Tilbury’s Hollywood Flawless Filter (which is thinner, a little runnier in comparison, and has more pronounced pearl/shimmer) and Natasha Denona’s original Face Glow formula (which was a thicker, cream consistency that squeezed out of a tube and was very glowing but not as visibly shimmery).
The reality is that if you’re someone who mixes these types of products with moisturizers or foundations, differences get more and more minimized (as they tend to sheer out, as they are supposed to). I wouldn’t expect that if you’re still working your way through something else and enjoy that that you’d have to run to get this, but it is certainly worth trying in the future if you like the idea of a subtler sheen but like this type of product.
Browse all of our Auric Glow Lust Radiant Luminizer swatches.